For over 130 years, Pen and Brush has been the only international nonprofit organization providing a platform to showcase the work of professional emerging and mid-career female artists and writers to a broader audience. This timeline is part of our ongoing historical research project. Pen and Brush’s archives are stored on microfilm in the Archives of American Art.
Come As You As Spring Fundraiser
Deborah Jack: 20 Years
Pen + Brush began 2022 with Deborah Jack: 20 years, a retrospective exhibition featuring twenty years of work by Deborah Jack (b. 1970, Netherlands). Jack’s work asserts new levels of relevancy as we deal with an increasingly COVID- riddled global climate where notions of identity and home are constantly becoming and reforming. This state of the in-between and our shared scattering is seen and felt deeply in Jack’s work. Short films show liminal spaces, water or landscapes, that are immersed in tones of grey and haze, usually paired with a requiem-like sound element, leading viewers to feel as though they are constantly on the precipice. This continuous push can be seen as a metaphor for trans culturalism and its aftermath within today’s globalized art world.
Pen + Brush Launches In Print No. 5
While we were all submerged in the intensities of 2020, Pen + Brush released Pen + Brush In Print No. 5 with guest editor Novella Ford in July 2021. Ford’s concept called for writers to respond to the challenge of a women finding and naming herself in this world. A question based on HBO’s series, Lovecraft Country, episode 7. The volume brings together literary and visual works that at once look our current time period directly in the eye while burning with the eternal human quest to understand and be understood. You can purchase your copy on In Print No. 5 through our shop.
Supporting During the Pandemic
2020 and the Pandemic brought a fierce and rapid need to get essential funds in the hands of important emerging artists who needed support during the historic loss of jobs, incomes, and sales. Pen + Brush hosted a virtual exhibition throughout 2020 with the collection ranging from $20 to $200 and included original works, prints, limited editions, and objects made in the time of quarantine.
April 2019 marks Pen + Brush’s 125th year supporting the work of women artists and writers! Our exhibition and publishing programs continue to grow and successfully move women artists and writers forward. You can support our work by reading our publications, collecting from our artists, submitting your work, making a donation in support, visit us today.
King Woman, the centerpiece exhibition in the fall of 2017, presented recent work by 25 contemporary women artists, boasting a roster that encompassed established as well as lesser-known artists creating in a range of media, including video. Many new works, some created expressly for King Woman, were shown for the first time.
Profiled on NYC-Arts
Pen + Brush was featured alongside major art institutions – from MoMA to the Whitney to Lincoln Center – in this episode, demonstrating that we are still an important part of the cultural milieu after nearly 123 years. But even more importantly, the segment shared the story and work of one of our talented artists, Josephine Barreiro, providing her with exposure on a local, national and international level. Watch the video at NYC-ARTS.org.
Opening of Flatiron Space and Launch of First Exhibition
On October 8, we opened our new, purpose-built space with “Domesticity Revisited,” a group show featuring four international contemporary artists selected by curator Rick Kinsel from our new visual arts program. During our first season we held a “Literary Takeover” of our space and a large group exhibition titled “Broad Strokes.” We held a number of events that promoted a discourse about gender parity in the arts. Our reopening stated with conviction that the new era for the organization in creating greater opportunities for women artists and writers was from the minute the doors opened into the future.
A Turning Point for Pen + Brush
After 120 years in the town house, Pen and Brush moved to a new state-of-the-art facility in New York’s Flatiron District, one that offers collectors, curators and the public the chance to experience diverse work by women that reflects the landscapes of contemporary art and writing.
When planning and creating the new space, Pen and Brush recommitted to the mission of representing female artists and writers in ways that would significantly impact their careers, by creating a professional space to celebrate their work.
The new program structure offered publishers, agents, collectors and gallery owners a constantly-renewing supply of high-quality work – enough high-quality work to trigger a lasting shift in the marketplace. On the organization’s 120th birthday, Pen and Brush promised to continue its work through 2014 and beyond.
A Citation from New York City
New York City Mayor Michael Bloomberg proclaimed “Pen and Brush Day” on October 23, 2005. He cited the organization’s history and contributions “in a city that is both the artistic capital of the world and a bastion of opportunity” as cause for recognition: “Pen and Brush’s initial vitality shows no sign of waning. Every season, its galleries host numerous exhibitions, workshops, forums, discussions, concerts, recitals, and readings.” Bloomberg quoted Pen and Brush Pulitzer Prize-winning author Marianne Moore, “Beauty is everlasting / and dust is for a time,” concluding that, “For 110 years, Pen and Brush has helped female artists and writers express themselves through enduring works of art.”
The Burning of the Mortgage
The celebratory burning of the mortgage was a powerful moment in the organization’s history, and a visual representation of its commitment to utilizing its assets to further its cause. The catalog commemorating this event includes a list of the writers of The Pen and Brush, Inc.
“Our founders pioneered for the recognition of women in the fields of art and literature. It is up to us today and to those who will come after us to keep alive this pioneer spirit – to lead the way – to seek higher standards in our work – to live and create in the climate of our time, yet be tempered by experience and knowledge of the past.” – President Elizabeth Cowan, 1963
The Original Gallery
The purchase of the building on 10th Street in Manhattan marked the beginning of a period of stability for the organization’s programming. For 29 years before this, various locations had to be rented for all Pen and Brush activities, including meetings and exhibitions. The image shown here of the building shortly after its purchase was taken – fittingly – by Jessie Tarbox Beals, the first published female photojournalist in the United States.
Pen + Brush is Incorporated
Under the presidency of accomplished writer and suffragist Grace Seton, the Pen and Brush became – eight years before women were granted the right to vote – an established legal corporation: The Pen and Brush, Inc. The organization continued to flourish under the 30-year presidency of investigative journalist and writer Ida Tarbell. Members included Pulitzer Prize-winning authors Marianne Moore, Margaret Widdemer, and Pearl S. Buck, who also received the Nobel Prize in Literature; and renowned visual artists Isabel Whitney, Malvina Hoffman, Clara Sipprell, and Jessie Tarbox Beals.
Foundation of Pen + Brush
In 1893, Miss Janet C. Lewis of New York, a painter, sent a letter to a number of female acquaintances proposing the establishment of a new group exclusively for women interested in pursuits of both art and literature. The purpose of this organization, as Lewis described, was to be for mutual improvement, advancement and social intercourse. The entity was to be called the “Pen and Brush.
“The founders of Pen and Brush planted the seeds of an open and mutually beneficial organization for women artists and writers.” – Janice Sands, Executive Director
The first official meeting of Pen and Brush was held in the Fifth Avenue Hotel on March 29, 1894.